Do any of you remember what we went through in order to watchHouse of 1000 Corpses? Nobody wanted to release it, and they all demanded some cuts. In the audience, we were eager to watchRob Zombie’s debut in cinema, as it promised to be a good adaptation of his horror-oriented music.
Needless to say, we weren’t disappointed. At that moment, the tumultuous journey for loving and/or hating Rob Zombie began. The director’s future progressed into impressive sequels and unnecessary franchise remakes. Today, the director is still heralded as a risky decision in the studio system, and he confidently sits in an awkward step of the indie horror circle. His last film,an adaptation ofThe Munsters,didn’t give him the exposure many thought it would.

Still, it doesn’t seem to affect him much. He’s never been a player for audiences. He doesn’t need them to like him. However, why not take a look at some remakes that could boost the guy’s popularity in streaming services and, why not, some multiplexes?
Does Zombie (and His Films) Deserve So Much Hate?
No filmmaker should get hate. Even ifthey insist on being polarizingfor the sake of attention and money. Art is subjective and talents vary. If all films were the same, the industry would be boring as hell. We like it when someone attempts to change the rules.
Zombie has tried to do that with a swashbuckler style that’s taken him from the top to some deep levels of cult fandom that are definitely unmatchable with a streamlined filmography. However, how about we take him for what he is and, more importantly, forwhat Rob Zombie does best?

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Regardless, a change must occur at some point of the rock star’s career. We know his love for horror is unconditional, and we’re certain this is where he should stay. Today remakes aren’t as hated as they were back in the 2000s, and when they’re done well, we can’t help but appreciate them.Halloweenwasn’t his best choice, andit burnt Zombie out enoughthat he won’t go back to it, although his remake hasprobably suffered morethan it deserves. After the backlash against hisMunstersmovie, another remake seems unlikely in the director’s near future.
But what if for some reason he signs a good deal and enters the studio system again? A solid remake could be a good option for the man who likes horror better than everybody else. Yes, we’re going to insist on a horror remake with a dash of thriller.

Rob Zombie Has the Knowledge and Talent
Nobody should question Zombie’s talent. He’s got some pretty cool films, and decent approaches to horror.The Lords of Salemwas his last good adaptation of an original IP that made the horror fans look his way. What came next wasn’t as noticeable, but that doesn’t mean he can’t produce something good.
Zombie is a musician, and a very creative one at that. So, why not remake a movie that mixes horror with heavy metal and not many people have seen because of a lack of a decent release?Trick or Treat, the 1986 horror filmabout a rock legend coming back to life through obsessive fandom sounds like a good match for Zombie. Sammi Curr, the villain/rocker, is an ’80s icon whether we like it or not, and Zombie could readapt the character without having to play him. But yes, he should do the music for this one. In the meanwhile, let’s think about some cameos. Rob Halford? Bruce Dickinson?
Related:Rob Zombie: How The Director Pays Tribute to 1970s and 1980s Horror
In that same vein, doesn’tThe Gatesound even more logical? It also involves heavy metal music, a demonic context and practical special effects. Nevertheless, it’s hard to see Rob Zombie directing teenagers. Perhaps, with a more serious tone, it could work.
If Zombie decides to stay within the boundaries of his most notable films,Theater of Bloodsounds like a good choice. The Vincent Price horror comedy has always been disregarded as a spoof, but Zombie could change that with theatrics and proper casting. We know Sheri Moon Zombie will be cast, so why not have her do what she does best?
A Change Is Necessary, So Why Not a TV Show?
TV and Zombie have never been put in the same phrase together. Only whenThe Munsterswas released on Netflix, did we think the streaming service could have something to do with the horror director. Zombie is definitely more comfortable outside of anything that sounds “straight."
Is Shudder an option? Who knows. The “specialized in horror” service is growing considerably, and they’ve already produced original content that’s much better than what’s available in the horror section of its peers. Does Zombie have the energy to do ananthology of folk horrorfor a streaming service like Shudder?
We’re just throwing ideas out there. TV or film, we need to give him a chance to redeem himself and get rid of that cloud of hate that dissipates and comes back sporadically to haunt him. The guy has feelings, even if it doesn’t look like it. And again, when he does good things, they are impressive.